“He must have traveled everywhere, at least in spirit.” The film emerges from a poetic dive into the borders of the outskirts of Buenos Aires, which carries echoes of Luciano Arruga’s murder—perpetrated by a government that constantly denies systematizing selective repression. Through the account of his mother, Mónica, a political and aesthetic imaginary is enabled, which opens up a path to think about the future of teenagers by means of Art and struggle. Todo documento de civilización is a cinematic barricade, an appeal to the democratic principles, because a country is not only defined by what it does, but by what it tolerates. Mario Manríquez